In the follow-up to his Griffin Poetry Prize–winning collection, This Wound is a World, Billy-Ray Belcourt writes using the modes of accusation and interrogation.
Fireweed is a collection of poetry that explores the rawness, trauma, and realities of adolescence compounded with the experience of being a young, Indigenous, and two-spirit intergenerational residential school survivor.
You will meet people in your lifetime who demand to have poems written about them. It’s not something they say. It’s something about their hands, the shape of their mouths, the way they look walking away from you.
Dionne Brand, author of the Griffin Poetry Prize-winning collection Ossuaries, returns with a startlingly original work about the act of writing itself.
In their fourth collection of poetry, Lambda Literary Award-winning poet and writer Leah Lakshmi Piepzna-Samarasinha continues her excavation of working-class queer brown femme survivorhood and desire.
Dionne Brand’s hypnotic, urgent long poem – her first book of poetry in four years, is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found.
