When 23 year old Grace decides to come out of the closet to her grandmother Betty, she discovers something she wasn't expecting.

Commissioned by Visual AIDS for Day With(out) Art 2014: ALTERNATE ENDINGS / Selections from the Ektachrome Archive 1986–1996 is a snapshot chronicling the moments—now memories—of this charged decade.

LIFE AFTER is about Nisha, a single mother and Indian immigrant, who travels to New York City to clear out her daughter Zara's apartment. Out of her element in the big city, Nisha discovers surprising new details about Zara. With help from her best friend and a stranger, Nisha uncovers the truth about her daughter's life.

A short film about cruising as an Indigenous Queer. Part of Hanky Code: The Movie, Indigenous Luv explores the different codes inherent in the hanky code & creates a crucial space for Indigenous Queer studies while critiquing Western homo/Queer culture.

Irene and Luisa, two 70-year-old women go to a cemetery to visit their deceased relatives. A series of coincidences will cause their paths to cross.

This film explores the intersection of queerness and disability, looking at the ways that culture and language are also part and parcel to many other communities, including the Autistic community and the Deaf community.

This film was created by Love Intersections, a media arts collective of queer artists of colour in Vancouver.

Every road can be a detour if you let it.
Melanie (Kayla Fuentes), a teen resentful of her divorcing parents and craving independence doesn’t like surprises. When Mom (Ashna Sharan) picks her up from swim practice and their trip gets derailed by a flat tire and a stranger, Melanie finds herself choosing a new road.

Contemplating suicide: a biography.

When a closeted woman's girlfriend shows up unexpectedly to her grandfather's shiva, she must do anything in her power to stop her family from finding out.

An experimental animation and documentary about diasporic desires for foundational myths. Seeking a home in reclaimed ancestry and seeking a self in reappropriated narratives and finding fragments instead.