Irene and Luisa, two 70-year-old women go to a cemetery to visit their deceased relatives. A series of coincidences will cause their paths to cross.

This film explores the intersection of queerness and disability, looking at the ways that culture and language are also part and parcel to many other communities, including the Autistic community and the Deaf community.

This film was created by Love Intersections, a media arts collective of queer artists of colour in Vancouver.

Every road can be a detour if you let it.
Melanie (Kayla Fuentes), a teen resentful of her divorcing parents and craving independence doesn’t like surprises. When Mom (Ashna Sharan) picks her up from swim practice and their trip gets derailed by a flat tire and a stranger, Melanie finds herself choosing a new road.

Contemplating suicide: a biography.

When a closeted woman's girlfriend shows up unexpectedly to her grandfather's shiva, she must do anything in her power to stop her family from finding out.

An experimental animation and documentary about diasporic desires for foundational myths. Seeking a home in reclaimed ancestry and seeking a self in reappropriated narratives and finding fragments instead.

A married couple unexpectedly face their relationship issues when they take ballroom dance lessons in a very heteronormative class.

Put the Playboy centrefold in the hands of a Dyke and she will make her into a monster.

A pulsating world of bug-eyed lesbian sasquatches and vaginal caves created from reclaimed textiles. Visual artist Allyson Mitchell's shape-shifting materials and colors explode off the screen on hand-processed and scratched 16mm film.

“Violet and June” (2017) is a bouncy lesbian romcom about an anxious young woman named Violet, who falls in love with her best friend, June.

Métis Femme Bodies is a visual and sonic exploration into the experiences of what has become a repressed identity in both Indigenous and female(-presenting) forms.